sa Sound Arts vol.5
XEBEC SoundCulture Membership Magazineartist's viewSA on Artists' Viewpoints and Aesthetics |
Interview with Carl STONE |
Carl STONE's work crosses effortlessly into a variety of musical territories using sampling and personal computers. In September, he performed a collaborative work with the dancer, KISANUKI Kuniko in Nagoya. After making a preliminary visit to the hall there, Stone gave this interview inside a Shinkansen (bullet train) to Tokyo, where he was headed for a meeting.
|
SHIMODA: What made you want to become a composer? STONE: In junior high and high school, I started to play music in kind of a group. I think we were rather special, because we played a kind of improvised music influenced by rock and jazz. I was very interested in groups like the Soft Machine, Captain BEEFHEART, and Frank ZAPPA. And my instrument was keyboards again. As I began to play keyboards, I began to experiment more and more with electronics. Then that turned into an interest in synthesizers, which were coming out at that time. Then just at the time when I finished high school, Cal Arts (California Institute of the Arts) had its first year. And they had a big electronic music studio. So it was like a kind of paradise for me. |
SHIMODA: I imagine you had fun. Well, according to my memory, after graduating from Cal Arts, you directed a radio program. STONE: Yes. SHIMODA: I think you could call the program a kind of collage. |
Table of Contents | |||||
SoundArts 5 Overview Credits |
Akio Suzuki part 1 | FUJISHIMA Essay |
HACO CD Review | Peter Vogel | |
To SoundArts Back Issues | Back to Carl Stone Home Page |